Despite being considered a box office disappointment, “Master and Commander” picked up 10 Oscar nominations (including Best Picture and Best Director) and won the Academy Awards for Best Sound Editing and Best Cinematography.Ĭrowe has long wanted to make a sequel to “Master and Commander,” memorably using Twitter in December 2010 to urge fans to ensure Fox knew about the demand for a follow-up feature.
#Master and commander cast movie#
'Thor: Love and Thunder' Trailer: Chris Hemsworth Returns as the Nordic God in Taika Waititi's Marvel Epicġ0 LGBTQ Film and TV Creators on the Rise, from Jerrod Carmichael to Isabel Sandovalįrom 'Reality Bites' to 'Fatal Attraction,' Keep Track of All the Upcoming Film-to-TV AdaptationsĪnticipation for “Master and Commander” in 2003 was sky high as it followed in the footsteps of “Gladiator” and “A Beautiful Mind,” two dramas that won the Oscar for Best Picture and picked up Best Actor nominations for Crowe - with Crowe winning for “Gladiator.” Critical reviews for “Master and Commander” did not reach the heights of these Crowe-starring predecessors, nor was the film the box office hit needed to start an intended film franchise around O’Brian’s literary series (the movie grossed $211 million worldwide on a production budget north of $100 million). Definitely an adults movie.”Įlon Musk to Buy Twitter, Take Company Private in $44 Billion Deal Incredible cinematography by Russell Boyd & a majestic soundtrack. An exacting, detail oriented, epic tale of fidelity to Empire & service, regardless of the cost. Highly recommended.Crowe was tagged in the message and issued the following response: “That’s the problem with kids these days. I found little to dislike and much to admire. It would have been easy for the director to read through the salty notes of previous period pieces and deliver the usual tale of ocean going brutality and scurvy encrusted woe but Peter Weir's version of order through respect and camaraderie is far more believable especially when you realize that the sailor's greatest enemy was the ocean itself. Crowe's delivery is very reminiscent of Richard Burton, exuding a measured screen presence without overpowering the dialogue. The predominantly unknown British supporting cast (some aged as young as 12) are expertly handled and provide a counter balance to the excellent performances of Crowe and Bettany. The production values are very high and the dialogue and length allow the director a better than average framework for character development. This movie manages to tread a fine line between gritty realism and Boy's Own, portraying the pursuit of an elite French warship by an older embattled British frigate. Anyone who is new to this period of history will not go far wrong keeping a copy of this movie as the attention to detail is excellent and adds to the experience as a whole (teachers take note).
This film manages to avoid these pitfalls but more importantly serves as a worthwhile historical document. Few films manage to capture the era in which the original work was set and often rely on clichés of the particular genre at the expense of the core story.
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